Backwards and Forwards: A Technical Manual for Reading Plays by David BallThis guide to playreading for students and practitioners of both theater and literature complements, rather then contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play. He includes guides for discovering what the playwright considers the play’s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.
Using Hamlet as illustration, Ball assures a familiar base for illustrating script-reading techniques as well as examples of the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards and Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
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Do you like dark comedies? Think about the darkest comedy you know, and then multiply it by roughly a zillion and you get The Pillowman. The play is about a short story writer who's being interrogated by two policemen about the short stories he's written, all of which involve gruesome acts and children. What it's really about, though, is storytelling, and every character in the play is a storyteller of some kind. How it will change you: This play will give you a deeper understanding of how storytelling is powerful and part of everyone's lives.
"Reader's Theater proved to be almost a magic solution for Griffith: In just 10 weeks of using RT, every child in her class had gained a full grade level in reading.
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What would their reaction be if they discovered that their theatrical masterpieces were now delivered to youth not on stages, but in classrooms? Not via practice and performance, but through dry readings? Not with joy and understanding, but with obligation? Schools have very appropriately focused attention on student reading ability. However, I wonder if one of the casualties of the Common Core is teaching plays.
Graduating obviously! To have a better chance at being cast in any of those amazing plays, you should read them first. Summary: A woman encourages her fellow women to keep their lovers from sexual privileges until they agree to establish peace to end the Peloponnesian War. Best Character: Lysistrata for gumption, sense of humor, and intelligence. Find monologues for free here. Soon afterward, the Prince of Corinth, Oedipus, who had left his home, faced the Sphinx and read her riddle.
Are you looking for original play scripts to use in your classroom? Your young cast and students can hone their skills on these scenarios that include time travel, talking turkeys, and even a little romance. Each of Bradford's play scripts included here is royalty-free, so you can use them in your classroom or amateur theater productions without worry. Below you will also find a resource for radio drama scripts that can be used with character exercises that emphasize voice for action. The minute play "12 Angry Pigs" is a parody of the famous play " 12 Angry Men.